Thursday, 10 October 2013

Heart & Hand: The Winners Are...!

Thanks to all of our talented artisans and storytellers, wonderful volunteers and of course... all our enthusiastic visitors who made Heart & Hand 2013 a great success!

Our Best of Show winner as chosen by our panel of judges was wood worker and former Folk Artist-in-Residence Peter Findlay.
















Our People's Choice winner was Naomi Smith, First Nations artist and educator. This was Naomi's first time being part of the Heart and Hand festival.

Prizes were generously donated to the winners by Roya LePage Scharf Realty Limited.

We will see you in 2014!


Saturday, 21 September 2013

Heart & Hand: Rain or Shine!

When was the last time you played in the rain? ...and then dried off by an open hearth or a wood stove? Today is your chance! The Heart & Hand Festival starts today at 10 a.m. lots to do and see, inside and out! Find that perfect treasure and see traditional artisans at work!

Our assistant curator Antoinette is ready for the weather. Lets see your rain gear fashion! Tweet us @hearthandfest!

Friday, 20 September 2013

Heart & Hand: A visit to the Papertrail with Kevin Martin and Audrey Hollinger

Photo by Candice Leyland
Join Kevin, Audrey (and their resident cricket) for a tour of their New Dundee shop, The Papertrail. They do it all from paper making, to printing and... paper marbling! They will be demonstrating this traditional art form TOMORROW at the Heart & Hand Festival!

Photo by Candice Leyland







Come by and say hello, take part in a demo and pick up some one of kind marbled or hand made paper for your next project!

Want to visit the studio in person? The Papertrail will be taking part in the Rural Routes Studio Tour Nov 1 & 2.  Check out the Papertrail blog for more updates and behind the scenes look at new projects, equipment and more!

   

Wednesday, 18 September 2013

Heart & Hand: First Nations Artist and Educator Naomi Smith

Bead and quill work pieces
Meet Naomi Smith, First Nations artist and educator. In this video Naomi tells us about her art and what it is that inspires her to create her beautiful bead and quill work pieces. Naomi is passionate about sharing the history and traditions of the First Nations people of the Woodland and Northeastern area. 

Exploring the story of beadwork is one way that Naomi shares her traditions and culture. She creates contemporary pieces based on traditional examples. For over 15 years Naomi has designed and created traditional Native beadwork, leather craft, moose hair embroidery, quill work, sweetgrass or birch bark basket making and adornment, always valuing these sacred materials throughout her creative process.
Come out to the Heart & Hand Festival this Saturday, September 21 to learn more! 

Contemporary and traditional examples of  beadwork pieces


Some of these traditional beadwork pieces are over 200 years old 


Tuesday, 17 September 2013

Heart & Hand: Event Schedule!

Mary-Eileen McClear, founder of the Baden Storytellers
entertaining at last years Heart & Hand Festival.
We are very pleased to welcome members of the Baden Storytellers Guild to entertain and inspire with their dynamic storytelling skills at this year's Heart & Hand Festival! 
Established in 1989 the Baden Storytellers Guild encourages individuals to hone and practice the traditional art of storytelling. Interested in finding out more or telling a story of your own? Join the guild for their Stories Aloud evening, an open mic night for adults held the second Friday of every month from September through June from 8 to 10:30 p.m at the Button Factory, 25 Regina St. South, Waterloo. Doors are at 7:30. The price is $5 and "lug a mug" for hot cider!Visit the Baden Storytellers Website for more information or to find out how you can become a member!
Join us for this year's drum circles!
The Baden Storytellers along with Master Drummer Nii Addico and musician Ian Bell will be entertaining under the tent. Below is a schedule of events to help you plan your day!



Monday, 16 September 2013

Heart & Hand: Lace Maker Pamela Glew

Pam at last year's Heart & Hand Festival 
We are very happy lace maker Pamela Glew will be joining us again this year for the Heart & Hand Festival. We asked Pam a few questions about her work, what it is about lace making that she most enjoys and how this art form will survive in the future.  
Pamela Nottingham Bobbin Lace making book

What was your first experience with lace? What initially drew you to this art form? 
From childhood, I was attracted to lace because of its translucent  and fairy-like qualities. I failed to get my grandmother to teach me her crochet lace skills, but taught myself shuttle tatting while in my teens.  In my twenties I discovered that I was the namesake of Pamela Nottingham, one of the pioneers of the UK lacemaking revival, and bought her book on bobbin lacemaking, but didn’t start lace classes for another ten years,  when I realized that “it was meant to be!
Needle lace (left) and
Carrickmacross, organdie applique on net (right)

Are there different types of lace? What is special about the type of lace you make?Depending on how it is defined, there are hundreds of types of lace, grouped for convenience by their method of construction. Some are made with a single continuous thread, looped as in knitting or crochet, or knotted as in tatting or filet. Others are based on embroidery stitches, either applied to woven fabric or net, as in Hardanger and  tambour, or built up from rows of buttonhole stitches, as in true needle lace. The bobbin or pillow laces are  woven or plaited from multiple threads, wound on stick-like bobbins and hanging from pins placed in the pattern supported by a tightly stuffed pillow. Further sub-groups contain laces which combine two or more of these techniques, such as Battenberg or Ayrshire work, and of course, nearly all these types can be imitated by machine-made versions that look good enough – to the uninitiated! I am mainly attracted to some of the bobbin laces, because of their versatility, but I would need several more lifetimes to try them all, and new laces are being invented all the time, by teachers and designers. I also enjoy “dabbling” in other types of lace, especially Lier/Tambour from Belgium, Carrickmacross from Ireland, English “Hollie Point”/needle lace and still, occasionally, tatting!


Is lace making a dying art form? How can we ensure that the tradition of lace making survives?
Lacemaking as an economic activity/industry has all but died out, to be replaced by  its role as a medium of artistic expression appropriate to our rapidly changing cultural scene. My interest in keeping it alive springs from my background in history, textiles and costume (for humans and dolls!) but I also like to explore new ways of using  the techniques with non-traditional  fibres, wire, beads etc. in contemporary designs and functions.
Lace making techniques used in new ways


There are indications that many of the coming generation are interested in History as a means of interpreting our future, and if this interest extends to discovering the skills of traditional crafts and employing them to create the cultural objects of the future, lacemaking should survive along with the more obviously “practical” trades. The role of electronic communication will be crucial to this survival, enabling fibre artists from across the world to exchange ideas on dedicated chat sites, international and local guild websites, through educational initiatives with how-to videos, online courses with links to live teachers, downloadable documents, patterns and suppliers’ catalogues for ordering previously obscure materials with a few mouse clicks! Aspiring younger lacemakers used to search out the aged practitioners, to make notes on the  fine points of the craft before it and they, passed away; now the next generation can go to the aged lacemaker’s website or watch her manipulate threads tirelessly on Youtube, but will also be made very welcome at the many live craft guild meetings, shows and demonstrations.  

Bobbin lace in progress
Do you have plans for any future projects? What is one thing you hope to achieve or piece you hope to make? 
I have ongoing projects to make a replica 19th c. Bedfordshire lace fall cap, to be worn with my historical interpreter’s costumes, and to make a full-size, rather than miniature fan leaf, to fit some antique bone fan sticks. 
Three dimensional lily as decorative hair piece
Having made modern, 3D lace lilies for my daughter-in-law’s bridal headpiece, I am now contemplating making something in lace for my first grandchild, a baby who will not need a christening gown, but who deserves something very special!



            
       


   

Three dimensional lilies made using traditional lace making techniques

Have some more questions or would like to see bobbin lace in the works? Come out to the Joseph Schneider Haus this Saturday, Sept. 21!

Thursday, 12 September 2013

Heart & Hand: Pysanky Artist Anne Cline



Decorated Ukrainian Eggs aren't just for Easter! Pysanky artist Anne Cline (Heart & Hand Best of Show Winner in 2012) is joined by her granddaughter as they explain the traditional meanings of Pysanky designs and demonstrate this unique art.

What do the different designs mean? How are they made? Where does this tradition come from? Watch this video and find out!

Visit Anne at the Heart and Hand Festival Saturday, September 21 as she demonstrates her traditional folk art.